Discussing Henry Peach Robinson and his use of the tableaux brings to mind my old boss Red Saunders who as used the technique of using several plates or layers, cutouts of negatives to form a final piece, unlike Peach Robinson he uses updated modern digital methods whilst staying true to the technique of creating the final image out of up to 80 digital plates.
His project Hidden takes many months,sometimes years of research and preparation and post production.Although Saunders is rooted deep in photography he draws on his experience as a film director and political activist to pull these huge productions together.
They often start with a background plate with extra elements added to build the narrative,the some people are shot in situ whilst others are skilfully shot on green screen and added later,often for reasons around production times but also because content that may be more difficult to shoot in a larger group situation.Each element is there for a reason often symbolic and relating to the conventions of classic paintings,he is. big Rembrandt fan.This method of working is very much like the painter except where a painter will add Saunders must both add and remove.Below are some examples of his work.
All images ©Red Saunders
Daniel Meadows is a good example of a photographer reciting one of his own older projects, usually someone who works in quite a traditional method of lens photography in the 1990s he revisited the people he photographed in the early 1970s as part of the Free Omnibus portrait project resulting in a new book called Now and Then featuring both sets of images side by side.
The original project consisted of him buying an old double decker bus and converting it into living quarters and a darkroom. He then set off around the country using newspaper ads (pre twitter) to let people know he was arriving on a certain date and was offering a free print in exchange for allowing him to photograph them ,he only only ever shot one frame and that was what the sitter got as print the next day before he set off for the next town.It’s a fantastic slice of time made even more poignant by the use of the one frame technique and an even better example of exploring time on the return visit where he would shoot at the same spot,sometimes altered with gaps in groups where some people are missing due to emigration or death.Some great examples below.

©Daniel Meadows
Moving on in a similar vein of tableaux but this time appropriating other peoples work is Cold War Steve. Christopher Spencer working under the artist name Cold War Steve started his career asa collage artist and satirist whilst working as a teacher using a simple phone app to pass the time and satirise the growing disparity and despair he was experiencing with the government,their advisors, certain celebrities and the people who they affect.Using the Eastenders Character Phil Mitchell,played by Steve Mc Fadden (hence Cold War Steve) to represent the Everyman he put together simple collages from found images online whilst on his bus journey to work, he then posted the results online and became an instagram sensation. Since then (he still uses Instagram as his main outlet posting everyday) his imagery as become more sophisticated and can be seen in published book form affordable prints and postcards or more expensively as limited edition prints.You can even buy them as jigsaw if you like,so keeping to his original agenda and making his work in available to the general public as well as collectors.
Spencer used this quite crude method to create a very sophisticated view ,which again takes much from the conventions of classical painting adding and subtracting to get his strong message across, despite the often small viewing media, in this case the phone screen there is an enormous amount of detail and hidden messages that allow for a longevity, you never quite see everything first time around.
Interestingly Spencer started this project as part of a self initiated therapy following a bout of depression and leave from his work as a teacher.You can read more about him and view his images via the links below.
https://www.theguardian.com/artanddesign/2019/jun/15/cold-war-steve-satire-is-my-antidote-to-a-scary-world-interview
@Coldwar_Steve
https://www.instagram.com/coldwarsteve/?hl=en
All images ©Cold War Steve
One of my absolute favourite photographers who use revisiting as a technique is Alex Bartsch. I’m biased as a big Reggae fan but I also like the way he explores time and how the backgrounds and places he revisits change or in some cases do not. For me that represents a lot about what the music black culture and Racism is dealt with. Some things move a little but not a lot changes.
Bartsch as taken one piece of finished art, in this case the LP cover and revisited the places they were shot, lining up the sleeves to match so creating a new piece, the fact that he keeps his arm in shows the viewer there is no attempt at discussing the fact it is a new piece and as no pretence to merge the image seamlessly,there is that 4th wall element.
Below are some of my favourites to see more here is a link.
http://www.alexbartsch.com/covers
All images© Alex Bartsch
Bibliography
https://www.theguardian.com/artanddesign/2019/jun/15/cold-war-steve-satire-is-my-antidote-to-a-scary-world-interview