Week 5 Fanzines

As part of our studies this module we have been looking at fanzines as a means to give our work a further life and audience.I’m a big fan of fanzines and newspapers as a way of showing work,quick and cheap to produce they have an immediacy and potential collectability.Much as I love photo books (although I’m not too keen on the massive tomes often produced by say Helmut Newton) I like the democratic un-precious vehicle zines provide.

They also have a fantastic history starting out as political pamphlets the word fanzine was first coined in the 1940s by Sci fi fan Louis Russell Chauvenet thought to be an amalgamation of fan and magazine.Finding a real outlet in the 1960s and 70s, many magazines started out as zines being made in small runs ,photocopied and stapled on the kitchen table,magazines like Oz,Timeout and even I.D. all started out this way with many writers and photographers cutting their teeth on them.

For me personally they were in the early 80s still the main form of finding out information away from the mainstream press.If you were into a certain fashion or sub culture or  perhaps a type of music not covered by mainstream press,fanzines were where you forund out what gigs,clubs and latest fashions were way before the mainstream press took hold.Much like social media is today only way slower.

The skills learnt were transferable as well. I did not make a fanzine but lots of people I know did but what I did do was put on bands and clubs .We used those same skills to make our posters,flyers and tickets. Photocopiers,staples,reused images and most important of all letraset,rub down transfer letters on a sheet that came in hundreds of fonts.

I have looked in my loft and found some examples of fanzines from around 1982-1985,some flyers and last of all a link for the digital fanzine I made for my course work.

 

Bibliography. Fanzines .Teal Triggs Thames and Hudson

My fanzine …please click below

 

or here

zine web spreads

 

 

 

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Raw artwork/final photocopy
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Glossy fanzines
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Verging on newsletter
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Fanzines
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Even big bands were in on it
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Fanzines contents
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Collection of fanzines

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My first exhibition poster

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Week 5 PHO703 Roadmap

Damned… I missed the forum before it shut. My road map/plan is to within the next 3 weeks  carry on with the lockdown shoot exploring football stadium on my bike,whilst researching and introducing the next phase of the project that I think I will make up project as I move forward.As a direct result of shooting my football project I have been exploring the Estate Pub,an institute provided as part of the post war social housing experiments.Often in a state of repair these days my aim is to celebrate the ones still used as a hub of the communities they were designed for or in the case of some which have  opened up for use of wider communities.

Unfortunately or not this as sparked a more personal idea and having gained feedback from my tutor Laura is one I intend to pursue that links all three areas.

My Grandfather who I know little about was a steward of Working Men Clubs in the UK. My experience of them was gained via my own father who used them frequently.At the age of 18 I was bought membership,to me it was an anathema,the complete opposite of my forward thinking teenage self ! It represented all that was wrong in a microcosm.

I’d like to explore how come that attitude prevailed at the time and how important they really were,what role they played in working class lives and how more importantly how well they have progressed and adapted.I know now they have and see it as a great way to explore a microcosm of working class history,feminism and gentrification.

I’ve drawn a little diagram for the roadmap going forward,based on Heath Robinson it’s a kind of working method.

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Work in progress PHO703 Week 4

Been a great week for activities,reading and coursework.I have been making more effort to comment and take part in the forums,still no feedback from peers ! I am impressed with a lot of the work produced,maybe i’m just not hitting the mark. That will change.

Work in progress is slow but getting there,trying not to talk myself out of it and just get going with shooting it,i’m definitely always going to be a photographer who develops ideas on the hoof.

Research is going well using social media,local knowledge and the internet and google maps/earth.Tomorrow the weather should be close to alright so an early start beckons.I’m keen to show the Estate Pub in a non patronising way,in a positive but objective way.Whilst I realise the reputation which is no doubt true I want to show a positive light on these bastions of community life.To begin with this will involve simple ideas of technique,for example no forboding moody skies hence the early start if i’m to show it in the morning glory of a golden sunrise.

Pubs are still shut until July 4th so some exteriors this week and hopfully with more research or maybe even a chance conversation one of the locations will throw up a welcome to explore further the character’s and stories.

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Week 4 PHO703 Alternatives to my usual way of working

I guess you would call my practice very much planted in the camera/lens based category,I’ve always enjoyed organic hands on areas such as printing,photograms,cyanoptypes etc but have shied  away from more computer base experimentation,I’m not even much good at retouching.

I did enjoy this experience though and decided to use it to explore the non lens based digital options available.The results are simple and varied .I learned alot about the process and other ways of seeing.Particulary I enjoyed the way time is altered when using google maps/earth.

Starting of as a tool to view potential sites I plan to photograph for my lens based project it soon became apparent that there was potential to investigate further how photography and time relate in story telling,taking some of the work we explored last module around time I was able to expand  my knowledge and ideas around this further.

Because of the nature of the technology quite minute movements from say 2D to 3D or even as simple as turning a street corner certain things appear,disappear or even reappear,usually people or other vehicles,in the most peculiar and unnatural way,out of sync.It reminded me of one of the first movies to use simple special effects A trip to the moon by  Georges Melies who used a simple technique by todays standard but at the time was groundbreaking called substitution splice.This is where the cameraman,in my case the google camera car stops filming something is replaced in my case again it could be a passing car into a clear space then filming commences giving the appearance of objects suddenly appearing and disappearing.Its a crude method of using time,in Melies on purpose and in the absence of sophisticated editing techniques of today and in Googles I guess because it just does not matter with the objective mapping the city,the idea of continuity is not important and as such it throws up lots of interesting scenarios.

Doug Rickard explored these in his book A new American Picture.In searching he found moments in time on street corners and remote roads of the US.

It’s not something I felt I would have been interested in too much before beyond a novelty value but can see it offers lots of ideas around time,revisiting and reusing imagery,I will be taking this further as my next two projects progress.

Below are 5 examples of how I have started to explore .

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Week 3 task PHO703 Zines

To a certain extent I failed this one,with other commitments time as become a little more precious and whilst it was my intention to collaborate,I love collaborating…. I stormed ahead on my own.

Also in the interest of time I did not make a physical version as with the Rucsha exercise which was so much fun.Fanzines are of a huge interest to me,they were the mainstay of info in my teens I bought many and still have them it was our version of social media,quick sometimes weekly with all the low down of what clubs,gigs were on,what was in clothes wise and most definitely what was not,some could be quite scathing.

Like the flyers we made letraset,found (stolen) images from books and magazines and the library photocopier were essential.

Here is a book that I love,it as fanzines by friends of mine in it from back in the day and many many more up to date ones.

https://www.waterstones.com/book/fanzines/teal-triggs/9780500288917 (Links to an external site.)

Any way below is attached a PDF version and here is an online version of my digital offering.

https://issuu.com/deanbelcher1/docs/zine_print_pageszine web spreads

zine web spreads

Week 3 PHO703 Learning with others

For most of my work i’d say the subject is of the main interest to me,of course once I start to make photographs that is the icing  on the cake and takes over from the excitement and enjoyment of the research period.For me the process and of research,production involved in reaching my objective of taking the images are one part,the taking and telling of the story another,both equally important and both useless and pointless without the other. For me the story telling,the discovery of something or someone new to me is the exciting moment,I use photography sometimes within my commercial work but mostly in my own practice to inform others but more often or not to educate myself.

I have a strong moral compass and feel it is important in my work to have the co operation of the subject,for them to realise my true outcome goals and be happy to participate,if I was to feel I was exploiting them in some way i’m not sure I would feel comfortable with that the proviso being it was something or someone I had empathy with.

It is important to remain impartial in most circumstances and try to avoid the influences from the subject but also it’s fair to say by taking some things on can lead to a more informed judgement as to how the project may develop.

For my next project I envisage meeting people as it develops and I fully expect to be informed about things in the stories they tell that will influence the way the project develops and most likely who and what I photograph.What I will avoid and have had to in the past is perhaps straying to far off the original path to maybe shoot something more out of a sense of obligation than necessity or any real use towards the end story,sometimes this can really take the project off on a tangent that must be avoided.

PHO703 Week One

I really enjoyed this project and am very much a fan of Ed’s use of different media and his approach to photography to record the banal,a skill I argue is not easy especially in making it valid and still interesting.Personally I have always been more fascinated by this approach and even before becoming aware of practitioners such as Ed have adopted many of the methods in my commercial and personal work including portraiture. By becoming aware of such photographers I only love it more and embrace the techniques and ways of seeing.So much so that during the break and again not as a direct result in order to get fitter I began cycling to all the professional football team’s stadium in London enabling me to shoot a series of images (in this case on my smart phone) resulting in photographs showing the usually busy streets surrounding them in their deserted and less glamourous glory,in doing so it raised a lot of questions around class,society and community and also in doing so helped formulate and influence another similar project that I will be researching for this module’s project around Estate Pubs.

Much as I want the final images to be correct and technically good that does not mean to me anything more than how I see them as correct,I have no interest in the latest gadgets other than how they can make things easier to achieve the end result which I think is one thing I can really ally myself with Ed Ruscha’s sentiment and approach.

I’m sure it is not really the case however when Ruscha states he is just recording the thing/subject because it is interesting,something I wonder is a means to provoke response such as that of Jeff Wall in the short film we watched,where he imply’s Ruscha is an idiot and that Ruscha only talks this way in order only to provoke a reaction.I must say I do wonder if the latter is correct.There is a message there if only to ask the viewer to look.

Getting back to the excersise, I decided to take a project that I shot in 2016 exploring how we consume music these days compared to the past,it’s a project I have shown as a small exhibition,had published and talked about on the radio but really not taken any further despite book publishing discussions which kind of fizzled out.I thought it was the perfect project to emulate Ruschas Sunset Strip,Records and 26 Gasoline books,firstly because of the repetition of subject matter but also the fold out seemed the perfect format as it’s also a format used in the packaging and design of Vinyl record art work,this one being heavily influenced by one of my favourite albums by the Small Faces  Ogdens Nut Gone Flake,originally sold as a fold out contained in a round package to imitate the tobacco tin it’s named after. Whilst I was not able to get it made as a final object beautifully die cut and printed I made a simple mock up using very Blue Peter techniques,sticky tape and cardboard boxes,please excuse the crude approach but I think and hope you get the idea.

Critical diversion….Covid

As part of my project I am going to realise a longtime fascination with sound and plan to use sound and projection as part of it.As such I have been making recordings of the road.I see it as part of the aural interest alongside the images of car less roads. It creates a rhythm and ambient layer to the visual texture of the images.It’s still a work in progress and I’m still experimenting with how I will use it. I like the idea of rhythm so may play with the speed and tone to create a kind of music focusing on the beat and rhythm incorporated with repetitive conversation or aural history collected from the people I may meet in the next phase as I meet more people in my pursuit of what makes community.

As it stands at the moment I thought it might be useful to use what I have purely as a technical excersise by making a short film around the detritus I have been photographing when going on my daily walks during the Covid 19 lockdown.

I have been amazed at how communities have been communicating and opening up to each other with generous offerings of free toys,books,even Coca Cola  cleared from over spilling bulging cupboards, alongside the carelessness of dumping PPE and the potential damage to wildlife and the environment.On one hand the kindness and beauty of human nature mixed with the selfish uncaring side of some, the sunshine, blossom and relative quietness does make for an interesting time of reflection.Short film below.

 

https://vimeo.com/user15454305/review/412261906/0da5d450c5

https://vimeo.com/user15454305/review/412261906/0da5d450c5

Work in Progress….The complete story.

It’s time to re evaluate at my work so far,i’m enjoying how it is evolving as the process of looking and research goes on. From an idea based pretty much in a more an anthropology study, more of a document of the road as a thing it as (and as I hoped) evolved into a vehicle to explore several avenues, most importantly to me via Human Traces. I’m fascinated in human interaction and believe deep down in the human psyche.It is very easy to be cynical and subscribe to the notion of humans being quite selfish and the root of all problems and quite often the way societies are set up (usually to benefit a few) that can appear the case but deep down when all that is stripped away I believe and want to investigate further in the next module how this notion may not be entirely true.I want to look at the way community and humans deep down are a social animal who thrive in groups and not as individuals.I want to help dispel the myth that “there is no such thing as society” as Mrs Thatcher once said. This is my goal next module.

Meanwhile take a look at the work so far (in no particular order) plus a few that got away…